https://www.sinopiaclaybole.com/about daily 1.0 2023-09-25 https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517783204981-Q29NMFUF9MJ7WNGKI50L/bole-cover-1.JPG Our Story https://www.sinopiaclaybole.com/work-with-bole daily 0.75 2023-09-11 https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517783658131-4O1PG0O0XCG6WL6M5C9O/bole-2.JPG Work with Bole https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517783831771-PNSSEZK11IERQ6Y1N8UO/app-8.JPG Work with Bole https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517851573783-YNQ8TW2IWZOW0MEYEF51/gesso-9.JPG Work with Bole https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517935148318-WQPOAX8AC9CTEU23UIC9/bole-2.JPG Work with Bole - Preparing the Sinopia Clay Bole Place a small amount of Sinopia Clay Bole into a heatproof container. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517935264643-NTWTZMEFUOM5VD2OBYE4/bole-3.JPG Work with Bole - Thinning the Sinopia Clay Bole Slowly add cold water to the bole and integrate the water into the bole with a spatula or stiff bristle brush. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517935363771-JQ5Q8ZEW3QBBZH7VQN3I/bole-4.JPG Work with Bole - Proper Sinopia Clay Bole consistency Keep integrating water, until the bole/water mixture reaches the consistency of a heavy cream. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517935465726-NBSSJ4BGFRJIMPQBW2HO/bole-6.JPG Work with Bole - Integrating Rabbit Skin Glue into the Sinopia Clay Bole Slowly add approximately 10% prepared warm Rabbit Skin Glue to the Sinopia Clay Bole. The mixture will start to thicken right away. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517935622061-NQB353X7ZLBV9Z9Q3BNR/bole-8.JPG Work with Bole - Warming the Sinopia Clay Bole Place the mixture onto a heat source and gently warm the Sinopia Clay Bole. Slowly add small amounts of water, until the bole becomes a brushable consistency. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517935762318-9O1ZFW6VN2SROTMBYJ1Y/bole-10.JPG Work with Bole - Applying the Sinopia Clay Bole While the mixture is warm, apply the Sinopia Clay Bole onto the previously prepared Gesso surface. Brushstrokes should be applied in one direction. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517935877038-YL9EYNWWNU24AOPQ87S3/bole-11.JPG Work with Bole - Applying additional Sinopia Clay Bole layers Once the bole has dried, apply additional layers to the panel. For a smoother surface apply subsequent layers with brush strokes that are perpendicular to the previous layer. 3-4 layers of Sinopia Clay Bole are sufficient. Now the panel is ready for gold leaf. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518201839090-P0JOXS44C5VQ6YKAD2NR/app-1.JPG Work with Bole - Preparing the Gilder's Liquor In watergilding, the dried bole needs to be reactivated before the gold leaf is applied. This is accomplished by flooding the bole with a gilder's liquor. A standard blend consists of 1 to 2 parts denatured or isopropyl alcohol to 8-9 parts cold water. The mixture is then applied with a gilder's mop, which draws in a generous amount of water and quickly releases the liquid onto the surface. Some gilders add a diluted rabbit skin glue to the mixture, in order to improve adhesion. This step is optional. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518202214297-OQZSQMJ8RVACMOY5EYBM/app-2.JPG Work with Bole - Flooding the Sinopia Clay Bole Generously apply the water mixture onto the prepared bole. The addition of the alcohol in the mixture prevents the water from beading up. When the bole is flooded, it becomes pliable and the rabbit skin glue is re-activate and acts as the adhesive for the gold leaf https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518202388728-SBJ12G14DBLFEE3LBZOG/app-3.JPG Work with Bole - Preparing for the Gold Leaf There should be so much water on the panel, so that the water puddles on top of the bole. Once this has been accomplished, it is time to float the gold leaf onto the water. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518202526810-G6MIFKCTID3SKK9C2OGQ/app-6.JPG Work with Bole - Laying the Gold Leaf With aid of a gilder's tip, gently lay the leaf onto the surface and allow the gold to float on the water. As the water continues to soak into the Sinopia Clay Bole, the leaf will be drawn down onto the surface. Watergilding can only be performed with surface gold, that is not adhered to a transfer sheet, as gold is in patent leaf. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518202743380-RYDQIES2BFYE62RS1V0L/app-8.JPG Work with Bole - Burnishing the Gold Once the gold has been applied, the bole will start drying again. As the bole surface dries, it will reach a window, during which time the optimum moment for burnishing is reached. To ascertain this moment, gently tap the burnisher onto the surface. In the beginning, the sound will dull, as the wet bole absorbs the sound. Once the tapping sounds hollow, it is time to burnish. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518203908827-N9WW5CP8NJU3D5GY92CQ/app-10.JPG Work with Bole - The Burnished Surface Once the gold has been burnished, it will yield a reflective surface. If the gold comes off during burnishing, then the burnishing started too soon and/or the glue strength is too weak. If the surface becomes scratchy during burnishing, then the burnishing commenced to late and/or the glue strength is too strong. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517851798306-RNCICK0MCOB7MUSKI0FA/RSG-1.JPG Work with Bole - Rabbit Skin Glue Recipe We recommend rabbit skin glue for our chalk ground recipe, but hide glue also works. We recommend a ratio of 1 part glue to 15 parts cold water. Combine these two ingredients in a container that can be heated and let the glue soak overnight. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517852115518-9WYOROBI9DBLPH7OMPK5/RSG-4.JPG Work with Bole - Warming the Glue Rabbit Skin Glue always needs to be used warm. Once the glue granules have been soaked into the water, gently warm the mixture on a temperature controlled heat source or a double boiler. Do not allow the glue to come to a boil https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517852976570-MACO12IXG9Y5VILEVD4M/RSG-6.JPG Work with Bole - Applying Fabric Layer There are many recipes that skip this step and we advise against that omission. Having a layer of fabric between your gesso and the wooden substrate, creates a buffer which affords the fragile gesso protection from whatever expansion and contraction the wooden substrate will experience with seasonal changes. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517853137823-MWR4EMUV6E44HEE4XRZS/RSG-5.JPG Work with Bole - Sealing the Panel Before adhering the fabric to the panel. Dilute some of the Rabbit Skin Glue Solution by 100% and liberally apply the thinned solution to all sides of the panel. This prevents uneven moisture absorption and thereby protects the panel from warping. Most wooden surfaces work for gilding. Examples of suitable substrates are wooden panels made of birch, oak or mahogany. Larger panels should be cradled with cross braces, in order to prevent warping. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517855779729-GG7TONC5DDG5K1S0CEXV/RSG-7.JPG Work with Bole - Adhering the Fabric Once the glue has been applied, take the fabric and dip it into the full strength glue solution. Pull the soaked fabric out with tongs and spread the fabric flat onto the panel. Fabric Note: it is best to use natural fibers such as cotton or linen for this application. If using material from the fabric store, wash the fabric first to get all of the starches out of the weave, which cause wrinkles if left in the fabric. Recycled all cotton bed spreads are a great fabric choice. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517855901816-VKNNRRMVCPT8YUODQHQQ/RSG-8.JPG Work with Bole - Smoothing the Fabric Once the fabric has been spread out onto the panel, smooth the surface to ensure that there are no bubbles under the fabric. The fabric can be applied to just the front of the panel, or it can be wrapped around the edges and even cover the back of the panel. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517856449900-FPREPIQG8PV336IS0GFK/RSG-10.JPG Work with Bole - Wrapping the Panel This step is optional: if wrapping the fabric around the back, apply more glue onto the back of the panel and fold the fabric. Allow the glue to dry thoroughly, before proceeding to the next step. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517856654969-UMCWJ7KFOIGQPO790CX3/RSG-11.JPG Work with Bole - Preparing the Gesso Measure out 3 volumes of the prepared rabbit skin glue solution into a container that can be heated. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517856766127-45SF3QMSICMBQHTOEZJT/RSG-12.JPG Work with Bole - Adding the Chalk Gently sift two parts French Chalk into the warm glue solution. For toned grounds, substitute 1 volume of chalk with a pigment such as red earth, umber or black. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517856887618-Y2UN9ZRFSJTTKCTPNEQY/RSG-13.JPG Work with Bole - Blending the Gesso Ingredients As the chalk is added to the rabbit skin glue solution, continually stir the mixture gently, in order to prevent the forming of air bubbles in the gesso. Once the desired consistency has been reached (we like a heavy cream consistency, but the gesso can be made thicker with more chalk), the ground is ready to be applied. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517857087664-39MZK9DLH8LUAP41K4JE/gesso4.JPG Work with Bole - Applying the Gesso Use a brush with firm bristle to apply the first layer of gesso with unidirectional brush strokes. This layer will absorb into the fabric and not cover the fabric. This layer is not about building up the surface, but about creating a foundation for the subsequent layers. Brush Note: For application use a brush that has a suitable size for your panel dimensions. Avoid giant brushes, because controlling the flow from the brush can be difficult. If the brush is too small, then gessoing will take forever. We prefer natural bristle brushes such as hog or ox hair bristle, but synthetic brushes will work as well. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517857328306-4NBHBQX0GN2TLANZIH48/gesso-7.JPG Work with Bole - Applying the second coat of Gesso Once the first layer has dried, the panel is ready for the second coat. The layers of gesso take about 5-10 minutes to dry, before they can accept the next application. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517857468292-KEPB1WO0P2OSE8KYKV56/gesso-9.JPG Work with Bole - Applying Gesso layers Once the previous layer has dried, apply the next layer with brush strokes in a perpendicular to the previous layer. We recommend a minimum of at least 3-4 layers, but most gilders will apply 8-10 layers of gesso. Once the gesso has completely dried, it can be sanded for a smooth finish. Gesso Note: During the application, it is necessary to continually stir the gesso gently on the heat source, because the chalk likes to settle at the bottom of the container. Once again: stir gently, so that you do not wisk air into the gesso. https://www.sinopiaclaybole.com/sinopia-clay-bole-blog daily 0.75 2019-08-08 https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518219487445-JF1UR7M8V5A5O108IZSJ/IMG_1049+2.JPG Blog https://www.sinopiaclaybole.com/sinopia-clay-bole-blog/2019/8/8/history-beneath-the-burnish monthly 0.5 2019-08-08 https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1565281718426-D6PZO3XXE5H5HC5Y592H/SOG-2.JPG Blog - History Beneath the Burnish Quattrocento Icon (inspiration for the Classic Spanish Red Bole), National Gallery, Vienna Austria https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1565281832434-CTELSZHWVNRXP0FEJ0AA/SOG-3.jpg Blog - History Beneath the Burnish Quattrocento Icon (inspiration for Classic Italian Grey Bole), Seattle Art Museum, Seattle, WA https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1565281950676-J9UQFUNEIEADPOFBN6QR/SOG-4.JPG Blog - History Beneath the Burnish Frame Detail (inspiration for the Classic French Red Bole), The Louvre, Paris France https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1565282060124-JJKGEHN75X5YMY4MG2DD/SOG-1.JPG Blog - History Beneath the Burnish Quattrocento Icon (Inspiration for the Red Clay Bole), The Vatican, Rome, Italy https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1565282243762-9N12QSA4WMKFTRGX380I/sinopia_italian_grey_bole.jpg Blog - History Beneath the Burnish Sinopia’s Classic Italian Grey Bole on a frame created by Alison Woolley https://www.sinopiaclaybole.com/sinopia-clay-bole-blog/2019/1/20/discovering-a-variety-of-gilding-techniques-at-the-danish-national-gallery-in-copenhagen monthly 0.5 2019-01-21 https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1548024875370-TB473BST6RWO29H6EYPB/sinopia-copenhagen-national-gallery-1.jpg Blog - Discovering a Variety of Gilding Techniques at the Danish National Gallery in Copenhagen Lapis Blue Bole on a water gilded frame. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1548025091898-ZXF2AW7K1PRENNMLH8FN/sinopia-copenhagen-national-gallery-4.jpg Blog - Discovering a Variety of Gilding Techniques at the Danish National Gallery in Copenhagen Gilded halo with stamped bole, accomplished with metal punches. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1548025387490-RE99L6QB38IX9TMNHBG4/sinopia-copenhagen-national-gallery-2.jpg Blog - Discovering a Variety of Gilding Techniques at the Danish National Gallery in Copenhagen Lamp Black Pigment next to brilliant red bole to create the illusion of a blue color. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1548025675885-5CE3D8NIJLZZXRPYJKJH/sinopia-copenhagen-national-gallery-5.jpg Blog - Discovering a Variety of Gilding Techniques at the Danish National Gallery in Copenhagen Face carved into the side of a water gilded frame. https://www.sinopiaclaybole.com/sinopia-clay-bole-blog/2018/5/2/haunted-by-an-ancient-blue monthly 0.5 2018-05-02 https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1525281483723-O38ABYICIECQAASABDL0/bardini-blue-sinopia-clay-bole.JPG Blog - Haunted by an Ancient Blue Quattrocento Icon at the Seattle Art Museum https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1525281828613-5P028S8IV9AMMN10I2E9/bardini-museum-sinopia.jpeg Blog - Haunted by an Ancient Blue Bardini Museum in Florence, Italy https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1525281977000-616Q5LSHVAILG7K9MXNG/sinopia-clay-bole-bardini-blue.JPG Blog - Haunted by an Ancient Blue Bardini Blue Sinopia Clay Bole https://www.sinopiaclaybole.com/sinopia-clay-bole-blog/gold-leaf-in-budapest monthly 0.5 2018-02-09 https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518219838578-1Y9B7000293A249ONUOO/sinopia_pigments_budapest4.JPG Blog - Exploring the Craft of Gilding in Budapest's National Gallery Gilded figure on an altarpiece in the Hungarian National Gallery https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518219951177-2WHQVELBSMVFGJ6O0CAK/sinopia_pigments_budapest5.JPG Blog - Exploring the Craft of Gilding in Budapest's National Gallery Cradled backside of an altarpiece panel at the Hungarian National Gallery https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518219988720-2SZQIAGFXYCH8IUESQY1/sinopia_pigments_budapest6.JPG Blog - Exploring the Craft of Gilding in Budapest's National Gallery Exposed layers beneath the gilding. Gesso, Clay Bole and Gold Leaf https://www.sinopiaclaybole.com/sinopia-clay-bole-blog/sinopia-at-the-vatican monthly 0.5 2018-02-10 https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518220465800-S90Z7PF7DK7CGC7ICJ44/sinopia_at_the_vatican2.JPG Blog - Secret Room at the Vatican https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518220496036-LUW3ONDM8W08I21I0HFH/sinopia_at_the_vatican3.JPG Blog - Secret Room at the Vatican https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518220518730-MBLKXJ35HX5W7OD90U67/sinopia_at_the_vatican4.JPG Blog - Secret Room at the Vatican https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518220545074-2SBNO3MUIV44NQRS5M3X/sinopia_at_the_vatican5.JPG Blog - Secret Room at the Vatican https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518220566126-7E2DHBU8XM5ZE6X2OIY8/sinopia_at_the_vatican6.JPG Blog - Secret Room at the Vatican https://www.sinopiaclaybole.com/shop-for-sinopia-clay-bole daily 0.75 2025-07-17 https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517784387580-LS1KV7O4IEJR8SAD5M5J/bole-cover-1.JPG Shop for Sinopia Clay Bole https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/e828c317-44a7-4642-ae78-c185b2bc6e2f/SClayLogo1.png Shop for Sinopia Clay Bole - Sinopia Pigments & Materials Sinopia carries the full in line of Sinopia Clay Bole Colors in sizes ranging from 4oz. to Gallons. Worldwide Shipping https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/9ab2d825-7614-4a73-90eb-7c0a1863ff37/gold-leaf-supplies-header-logo-new.gif Shop for Sinopia Clay Bole - Gold Leaf Supplies Gold Leaf Supplier in Great Britain with an extensive selection of Sinopia Clay Bole Colors https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1518893205274-FXUNF7A6C09YR0B38L3I/handover.png Shop for Sinopia Clay Bole - A. S. Handover A. S. Handover carries a selection of Sinopia Clay Bole Colors https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517785831728-Y45RXUX2TBFU30NV7OEF/glp_logo.png Shop for Sinopia Clay Bole - Golden Leaf Products Golden Leaf Products offers a selection of Sinopia Clay Bole colors from their California location https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/178286d3-d862-43d5-a964-12a120aa5ea5/division-corporate-logo.jpg Shop for Sinopia Clay Bole - Easy Leaf Products Gold Leaf Supplier in Los Angeles, CA. Carries a curated selection of Sinopia Clay Bole colors https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517785957228-H9P9Z8E8AD2CCC3V21RQ/LAGOLDLEAFUSLOGOUS-1.jpeg Shop for Sinopia Clay Bole - LA Gold Leaf US LA Gold Leaf offers a selection of Sinopia Clay Bole colors https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/561e68ce-567e-4587-b168-0ffd0ad58b7e/frame_masters_logo.jpg Shop for Sinopia Clay Bole - Frame Masters LA Frame Masters is located in Los Angeles, CA and carries a selection of Sinopia Clay Bole colors https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1517784575778-B17N8N95CVE9MG5WFLOH/jacksons-logo.png Shop for Sinopia Clay Bole - Jackson's Supplies Jackson's carries a selection of Sinopia Clay Bole from their headquarters in London England https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/70051c6a-af71-4d7d-aad9-4d19a48e589a/Lab%2BRight%2Bwith%2Bpadding.png Shop for Sinopia Clay Bole - Black Dog Art Supply Black Dog Art Supply is based in Regina, SK and offers the full palette of Sinopia Clay Bole colors in Canada. https://images.squarespace-cdn.com/content/v1/5a71ed1dc027d820769d87af/1d2b7bc1-f70d-4e47-a713-0e30883a8fd1/download.jpg Shop for Sinopia Clay Bole - L. Cornelissen & Son Oldest Art Supply in London, England. 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